Still, in Civil War, regret feels like progress, a hook of feeling for the actors to grab onto (and not just an excuse for a sodden gloominess à la Batman v Superman). Now, superhero guilt and culpability are major plot points, though it’s hard to say if it’s a way of making these characters richer and more complex, or simply of justifying bigger, more elaborate destructo-fests, as long as they’re accompanied by some token handwringing afterward. (At the beginning of Civil War, it’s Olsen’s Scarlet Witch who commits a particularly glaring transgression-she registers the horror of what she’s done with a kind of anguished matter-of-factness, a recognition that she’ll have to live with the consequences for the rest of her days.) Just why are superhero movies only just now cottoning to how many random humans are killed or injured while their protagonists are reducing skyscrapers to rubble or making smoldering scrapheaps out of giant mechanical villains? This carte-blanche carnage has been happening for years now, especially given how elaborate special effects have become until recently, it seems, we’ve just been expected to look the other way, muttering something about the greater good. Well, of course they do! And as in the recent Batman v Superman: Dawn of Justice, this superhero supergang has been supershamed by the fact that too many innocent civilians tend to be killed while they’re doing the business of dispatching baddies. This is an act of selfless romantic daring, considering he’s never even eaten before.Ĭivil War’s plot is more of the usual: The Avengers must work together to vanquish evil, yet their petty disagreements divide them. What do superheroes talk about when we’re not around? The dialogue here gives us some idea: It’s Paul Bettany’s gallant, solar-powered Vision attempting to cook a meal for Elizabeth Olsen’s soulful but stubborn Scarlet Witch, under house arrest for possible misuse of her fire-starting powers.
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Overall, the movie around them is smarter and more intimate. It’s that rare superhero movie that doesn’t grind you down with nonstop action or, worse yet, the usual tiresome cavalcade of smart-ass wisecracks.ĭirectors Anthony and Joe Russo have reassembled essentially the same cast from Joss Whedon’s leaden 2015 Avengers: Age of Ultron, including Scarlett Johansson as Black Widow, who, thankfully, has more than six lines this time around, and Robert Downey Jr., who dials down his high-strung Tony Stark/Iron Man shtick to bearable levels. Yet his very lack of embarrassment is what makes him so shiny and wonderful, and his spirit sets the tone for Captain America: Civil War. It does not store any personal data.Chris Evans as Captain America-with that retro-patriotic turtle-shell of a shield strapped on his back, and muscles sculpted into the exaggerated proportions of a parade balloon-looks completely ridiculous. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance".
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